Black people front & centre in a science fiction movie? I’ll have some of that!
This reaction vid https://youtu.be/QN-WCHacRgI is pretty much my reaction too. His best comment, “It’s like Africa in space!”
But seriously, representation matters! Whether in small everyday things or in big flashy stuff that everyone except you gets to fully enjoy. Sci-fi and fantasy has the tendency to be very, very white - whether the media or the fandom. It’s easy to feel alienated when I go to conventions and am the only black person in the room. The usual state of black people in scifi is like this: http://j-applebee.tumblr.com/post/141781152918/i-wrote-the-poem-below-for-mancunicon-the-uk
This trailer makes me happy. And it makes me especially happy that it features black people and it’s NOT IN AMERICA. I get thoroughly sick that if I ever see Black people in anything visual, it’s always in the U.S.
The story comes as a PDF, so I realise it’s not great for some screen readers. I’ll try to create other versions in MOBI and Kindle-friendly formats. But for now, I hope you enjoy my tale.
Synopsis
Billie has always had a love of science-fiction and fantasy. His
dreams of aliens take a strange turn when shadows around him start
coming to life to try to communicate with him. The apparitions continue
when children who say they’re from Billie’s past come to visit him,
making him question his sanity. When one of the children asks him to
change history, Billie is forced to look at his own legacy of violence
and neglect that he has buried in order to live a normal life. Billie
has to question the possibility of time travel and the multiverse, in
order to help one of the children escape a terrifying life of abuse.
Billie also has to ask himself if any of this real or is this all in
his head?You can now read this short story (20,000 words) for FREE. Survivors
of Child Abuse and violence are likely to be poorer, so I wanted this
to be available to them. Copy and distribute if you like, but this has a
Creative Commons Non Commercial copyright filed. Please don’t go
charging folks for reading this!If you have any comments, feedback or general questions about this
story, please feel free to contact me at billieprime@gmail.com
Billie has always had a love of science-fiction and fantasy. His dreams of aliens take a strange turn when shadows around him start coming to life to try to communicate with him. The apparitions continue when children who say they’re from Billie’s past come to visit him, making him question his sanity. When one of the children asks him to change history, Billie is forced to look at his own legacy of violence and neglect that he has buried in order to live a normal life. Billie has to question the possibility of time travel and the multiverse, in order to help one of the children escape a terrifying life of abuse. Billie also has to ask himself if any of this real or is this all in his head?
Why I Stopped Watching Doctor Who - Sci-fi and Fantasy Network: Fans of Colour deserve better roles, better writing and better visibility in Science fiction and fantasy!
Three great African science fiction and fantasy writers at EasterCon 2016
MancuniCon - EasterCon 2016
EasterCon 2016 took place at the Hilton hotel Deansgate, Manchester. It was my second time attending this event. I was able to get a free membership through Con or Bust, but I didn’t receive any other financial assistance. I was lucky though - Virgin had a train ticket sale, so I got really cheap travel to the event. I was asked to be on a few panels - Poetry, Diversity in UK Science fiction and fantasy, and an interestingly named panel: Are we heading for a superhero crash?
I knew that I would be in the minority, as a black bisexual, nonbinary person at EasterCon, but I was determined to have a good time regardless. This intent didn’t last long however, as I was subject to a lot of micro and macro aggressions throughout the four-day event. There were some good parts: free books, interesting writing sessions, and meeting up with friends. I was really pleased when I raised concerns over the timing of the Diversity session which had been placed last thing on a Sunday - the organisers moved it to Friday afternoon instead. The session on maths explained by juggling was a blast, and the session on putting twists into your stories was enlightening. Meeting three African Science Fiction writers was like a dream come true. But unfortunately the bad parts of EasterCon made me wish I’d never gone, and that’s really sad.
The first negative thing happened in the Poetry session. I read a poem I’d written about Game of Thrones, and the racism, misogyny and bigotry that made it difficult for me to watch. Another poet, who said she only had a single poem to read, was very upset by my work. She stated that she knew someone involved in Game of Thrones, who would be very angry if he had heard my poem. I started to get worried: what if that guy was at EasterCon? Would I be in physical danger because of what I’d written? Sadly, the moderator seemed to take it as a joke - she even said the session was turning into a rap battle.
The angry poet went to the toilet later in the session. When she returned, she announced that she’d written a poem whilst away. She proceeded to read her rebuttal to my poem, which likened my rejection of Game of Thrones, to being sexually assaulted. I was absolutely gobsmacked by this. The moderator looked ill at ease too but she didn’t intervene or do anything. I wondered if a white person had written my work, would they have been subject to this? Would they be afraid as I was? I felt very upset by the whole thing, and even though I had two friends in the audience, I felt alone with the feelings.
The second negative thing at EasterCon happened after the Superhero Crash session. I mentioned to the moderator that I had received a free membership from Con or Bust. The moderator looked me up and down, and stated, “Yes, of course you’d have to.” I was pretty taken aback by this. She continued in a condescending tone, “I think we need to put conditions on the free memberships to Con or Bust, to ensure that new coloured people can attend.” I was disgusted by her use of the term ‘coloured’ and appalled that she would wield her power in saying which people of colour could use Con or Bust’s service. This was the moment when I promised myself to never come back to EasterCon. It didn’t seem to matter how inclusive they tried to be, if there was no back-up to their intentions. When I looked at the Code of Conduct, there was no acknowledgment of the bigotry and bad behaviour that could be inflicted: instead they used an example of someone being upset about meals at the hotel. I didn’t want to talk to anyone in charge about what I’d experienced, because I thought they wouldn’t really listen - this wasn’t a random attendee saying horrible things to me, it was moderators and other panellists.
Speaking of Moderators, many of the ones I saw at EasterCon seemed unprepared, ineffective, and on two occasions quite drunk. Moderators hold a lot of power; but if they’re not briefed adequately, then it means nothing.
It has taken me a long time to write up this report; partly because I didn’t want to portray the event as negative. But it was very negative for me. I don’t want any other people of colour to be treated this poorly when they take part in SFF events, but time and again I see things like this happening, with very little change. Science fiction and fantasy is an escape for me, but EasterCon wasn’t an escape from the bigotry I experience almost daily. Even though this event is run by volunteers, that doesn’t excuse this behaviour. We all deserve better than this.
I wrote the poem below for MancuniCon, the U.K. Easter sci fi convention. I sadly experienced a few racist incidents whilst at this event, as I do most places I go. However, when I wrote this poem, I thought about how white science fiction and fantasy is in general, and how the possibility of people of colour inhabiting a fictional space makes so many defensive unless we are subservient to white folks. The poem is inspired by my all time fave episode of any Star Trek series, Far Beyond the Stars, on Deep Space Nine.
Jake Sisko
I don’t want to be the only black soul in space
I don’t want to break through the atmosphere I don’t wanna blast off to an unknown place I want to stay right here
Cos if black folks board those rocket ships Ain’t nothing new it gonna prove Cos all they really want us for Is to shine those white folks shoes
You may say a brave new world’s waiting Where a man can truly be free But this black soul be contemplating This here world and the racist cruelty I’ve seen
Freedom don’t come beyond the stars I won’t find it way up there Freedom means stories of my own Where black folks sit in the captain’s chair
And ain’t it sweet you imagine aliens Being red and blue and green But black folks in sci-fi are impossible Too unbelievable to be seen
That’s why I choose to write what I do Black fantasy is why I’m here Far beyond the stars may look good to you But son, I ain’t got the fare
OctoCon - The Irish Sci-Fi convention (or activism never has a day off)
In last week’s episode of Jacq goes to a Sci-Fi convention…
I’ve been to 3 conventions prior to OctoCon. Dragon Con was awful. Nine Worlds was pretty bad. EasterCon (Dysprosium) was good. I was completely ignored at DragonCon - as in I’d talk to someone & they’d look at me with a blank stare. A panelist called me a Troll at Nine Worlds when I spoke up about cultural appropration. So far, so bad.
Dysprosium had more than its fair share of racist attendees - from the man proudly wearing a Gollywog badge, to an attendee demanding I explain to him & his mates how to end racism. The good thing about Dysprosium was the organisers were brilliant when I spoke to them about these problems. They got on with sorting out these issues quickly, & reassured me that I was being listened to. It is something I really appreciated. I shouldn’t have to face these kind of problems at any event, but they kept on happening. I didn’t have very high hopes for OctoCon. But in the end, it was fantastic!
I took part in 5 panels, including 4 that were decidely LGBT+ and sex positive. Where most conventions will have a single diversity panel (or in the case of Nine Worlds, a track), OctoCon had diversity woven into every single session. I didn’t only hear about or from People of Colour in the Race & Sci-Fi type sessions, but in the ones on Timetravel, in Genderqueerness and inErotica in fiction too. This is no small thing for me; having been used to being shoved in a ‘ghetto’ of ethnicity at events. The fact that there weren’t even that many People of Colour in attendance didn’t alter the fact that I felt listened to at OctoCon. I felt respected. I had loads of fun and learned new things about the worlds of gaming, science fiction and fantasy. And with the added bonus of a lot of seriously HOT folks in attendance, what more could I ask for?